Спектакль "Дуэль"

About the play

Age limit: 16+
Duration: 2 hours 30 minutes with intermission
Press about the performance: browse reviews
as the stage managing director Baicher Vladimir
Сценография Руах Эфим
Художник по костюмам Федюшина Татьяна Сергеевна
В спектакле использована музыка в исполнении Дживана Гаспаряна (дудук) и старинные русские романсы

Действующие лица и исполнители

Иван Андреевич Лаевский Fat'yanov Sergey / PEKKER EVGENY
Николай Васильевич фон Корен Bogdanov Andrey
Надежда Фёдоровна SUVOROVA MARINA
as Alexander Davidovich Samoilenko Golyshev Yuri (HONORED ARTIST OF THE RUSSIAN FEDERATION)
Дьякон KUROCHKIN VLADIMIR / PEKKER EVGENY
as Maria Konstantinovna Belyaeva Natalia (HONORED ARTIST OF THE RUSSIAN FEDERATION) / Матушкина Ольга
Егор Алексеевич Кирилин KIRYUSHKIN SERGEY / Голышев Иван
Ачмианов KOZHEVNIKOV IVAN
Кербалай RYABOV VIKTOR / Соркин Александр
Шешковский, секундант Вишневский Михаил
Бойко, секундант BELYI ANTON
Доктор Устимович RYABOV VIKTOR / PEKKER EVGENY
Мать Лаевского FEDYUSHINA TATYANA
Кучер Симонов Владимир

The plot

The play The Duel based on the short novel by A. P. Chekhov was staged specifically in Anton Chekhov's anniversary year celebration. It is a synthetic creative project combining an excursion and tourist program and theatrical action, staged in the natural scenery of Chekhov’s estate.

The audience will be “visiting Anton Pavlovich” in his beloved Melikhovo for the whole day. As his guests you will make a tour over the estate and enjoy an unusual performance.

A landing platform on floating tanks arranged along the banks of the pond will make up a sort of a stage of the first act of the performance. On one occasion he audience will “come to be” on the sea coast and then by a mountain waterfall.

The second act implies a dramatic change in both ~ in the scene of the action and that of intensity of emotions of the events on the stage.

It is a sort of a closed, uneven and clearly defined space of a wooden shed that makes up unusual scenery where a hard and tragic ending breaks out just to follow a lovely “basket dinner by the water” in the very beginning of the play.

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